Irish Crochet Tutorial for Beginners

How to Irish Crochet by Ann Reillet

Cluny CollarIrish crochet is about texture and artistry. The raised 3-d look of padded motifs and netting provide an illusion of flowers caught in a spider’s web. At its finest, it is elegant and timeless.

Due to the amount of work it involves, it is often impractical to realize a profit from the making and selling of handmade Irish Crochet, but compare any piece to modern machine-made lace and you’ll know it’s worth its price in gold.

See a vintage Irish Crochet dress here: http://crochetthread.wordpress.com/2014/02/17/irish-crochet-timeless-beauty/

Hook Method
The method of Irish Crochet that I use is called “Limerick Lace” because it uses a hook, rather than a needle, to create the picot netted background.

If you’re interested in learning the needle method for creating net. See Lorelei Halley’s Point de Gaze tutorial on how to make the “Two Twist Whipped English Stitch” here: http://www.lynxlace.com/StitchesofPointdeGaze.html

Helpful to Know.
You don’t need to have any ancient knowledge or superior crochet skills to learn Irish Crochet. However, it’s helpful to know a few techniques that are involved:

Irish PaddingCORDS: I-Cords and Romanian Point Lace Cords look beautiful in Irish Crochet, but true Irish Cord is made with padding.  Padding is basically a technique that creates thickness in the edging. Instead of making a chain and crocheting over the chain, you use several strands (usually 4-10) of a thicker thread and crochet over the thickness of the thread.

5PADDING: It’s also helpful to understand how padding is used within the motifs of Irish Crochet. You can experiment with this technique by wrapping the thread around your pinky finger 7 times, sliding it off, hold in place and sc over the thickness of the wrapped cord. Once the circle is filled with stitches, trim excess strands and join with a sl st to the first sc. As you continue making the motif, add padding again, in the form of 7 cut strands to other areas and crocheting over these in the same manner you would crochet over a tail to tuck it in while you’re working. The result is 3-dimensional and provides a sense of texture and artistry to the motif.

Here’s a padded leaf pattern for beginners: http://crochetthread.wordpress.com/2014/02/13/irish-crochet-motif-leaf/

CLONES KNOTS: A clone’s knot is somewhat similar to a bullion stitch in that it is grouped with other stitches. There are several YouTube videos to help you master the clones knot. But don’t despair if it gives you trouble, because you can always use a standard picot (ch 4, sc in the 4th ch from hook) to create decorations along the netted background. It’s best to practice the clone’s knot to perfection; and it may take a lot of practice, but it’s an important stitch to learn for Irish Crochet. It’s neater and bulkier than a standard picot, making it well worth the effort of learning.

THREAD SIZES: Various sizes of thread are employed in making Irish Crochet. Traditional vintage thread sizes range from 60-80, which in modern crochet terms are defined as tatting thread; all of which use a 0.6mm #14 hook. For beginners: Larger threads (size 3, 5 and 10) should be used for padding, thinner threads (20+) for motifs and the thinnest (30+) for netting. If you’ve only worked with yarn, it’s a good idea to start with a large size 0 steel hook and sock yarn to make your first motif, as you get comfortable with the steel hooks, decrease the sock yarn to size 3 thread, then 5, then 10 (with a size 7 steel hook). The idea is to decrease gradually and build confidence.

Consistency is Key
As with all crochet projects, consistent stitch work and patterned arrangement of motifs net the best results. If the stitches are too loose or the arrangement haphazard, the piece loses its sense of balance. This applies to the netted background as well.

Skill Level Increases with Practice
My first attempt at Irish Crochet was a baby bib… best to start small. For the first project, I used only size 10 thread. All of my instructions came from vintage sources; it was quite confusing. That is why I created this tutorial. Over the past few years, I’ve made several pieces, I’m nowhere near Galina “Assia” Verten, but my skill level continues to improve and yours can too! You can see my first project here: http://crochetthread.wordpress.com/2011/12/30/irish-crochet-bib/

Beginner’s Tutorial
Steps you will need to take to make Irish Crochet:

1.  Study & learn all you can about Irish Crochet from many sources.

_MG_23522. Build up a supply of padded motifs. For beginners, motifs should be crocheted in a minimum thread size of 10 (preferably 20) with a size 7 or higher steel hook. Start with an Irish Rose and Venetian Leaf, then branch out; palm leaves, stars, oak leaves, grape vines. The possibilities are endless.

Temair in Thread

Temair in Thread

While this tutorial is for beginners, I encourage you to experiment, especially as you gain experience, employ smaller finer thread; even colored threads. Irish Crochet is traditionally a white work, but it looks great in color, and scarfs can be done in lace and sport weight yarn: (See Nicky Epstein’s Irish scarf patterns at Caron yarn.)

Shown left is one of Nicky’s afghan designs that I altered to create this Irish chair back cover.

Tip: When it comes to pattern arrangement, balancing out the motifs is key. If you want to have a mirror effect make at least two of each motif and don’t forget to create vine work and leaves.

Here’s a motif I created: http://crochetthread.wordpress.com/2014/02/24/free-irish-crochet-pattern-escape-flower-motif/

0613. Prepare a workspace consisting of cambric cloth for penciling (nonpermanent sewing pencil) pattern outlines, thin cardboard such as watercolor paper for stabilizing the cloth, and foam pad or styrofoam that is thick enough to absorb sewing pins, which are used to secure the motifs and border while the net is being made.

You can read more about the workspace here: http://crochetthread.wordpress.com/2013/06/09/irish-crochet-board-creating-a-workspace/

4. Decide what you’re going to make. I recommend starting with a small item, not larger than a placemat. Suggestions: Bib, bonnet , collar, cuff, coaster, corner piece for napkins or place mats, etc…

5. Pencil or chalk the outline onto cambric (don’t use permanent ink otherwise you can’t re-use the cloth).  Trace an actual item, such as a bib or collar or create your own design. For clothing, trace the outline of a cut-out paper sewing pattern.

6. Crochet a border that is either a chain or padded Irish cord, depending on how thick you want the edge to be. If cords are new to you, just use a chain; you can always add padding in the finishing round [see step 12].

Pin the border in place and/or sew it down with a temporary basting stitch along the penciled outline on the cloth using a colored thread that contrasts with the crochet thread. Slip stitch or sew the ends of the border chain together to join. The idea is that you want the outline/border to be complete and stay in place while making the net.

7. Arrange your motifs so they fit inside the border in a pattern that is pleasing to you. I recommend sewing in the tails and snipping the ends of the motifs to keep the work area clean while you’re making the netted background. Iron the motifs first. You can gum and block them now or later, if you want to do that now see step 13.

Basting motifs8. TURN the motifs over so they are facing down and pin in place, pushing the pins all the way down so they’re not in the way. The reason for turning the motifs over is so it will look like the netting is coming from behind and pushing the motifs forward, thus improving the finished look.

You can see the finished scarf here: http://crochetthread.wordpress.com/2012/03/07/irish-crochet-shrug/

_MG_1159Pinning the motifs is quicker and easier than sewing them down, but you can sew them with a temporary basting stitch if you prefer. The idea is that you want the motifs to stay in place while you’re making the net.

At the end of step 8, everything should be pinned down and secure to the pad.

Netting/Background:
9. Start the netting in the lower corner of the largest open area (preferably at the very bottom of the border chain) because in the corner, you’ve already got 2 sides. Begin with a sl st. If you’re left-handed start on the left side of the border chain; if you’re right-handed start on the right side of the border chain. The sl st should be up 2 or 3 ch sps depending how tall you want the height of the square, ch 2, hdc (or dc depending on how tall you want the open spaces to be), do this hdc (or dc) on the lower side of the border chain, ch 2, sk 2, hdc (or dc). Now you have 2 squares, keep going.

Join to Border:
When you get to the 2nd to the last space at the end of this first row, stop and think about the letter “F” (left-handed) [or the mirror image of a letter "F" if you're right-handed]; instead of chaining 2 to the end, do a hdc (or dc) in the border chain that aligns with the top of this row. This keeps you in place, then chain up and repeat before changing directions for the next row.

Tip: Try to avoid chaining and slip stitching in the border, rather work a dc in the border to join. This avoids uneven borders because if you do sl st in the border, you usually have to continue slip stitching up the ch to obtain sp for the next mesh.

Join to Motifs:
As you work up to the motifs, insert your hook in the st where you want the join to be, sc, then continue with your chs and hdc (or dc), trying to keep your rows lined up as much as possible. You can sl st over the back of the motif to get to the other side or you can work the area in between, tie off and work the next area, whichever you prefer.

_MG_1161By starting with a simple square shaped net, you will quickly gain an understanding of how the background is applied. The hardest thing for some will be re-learning how to position your hands and hold your hook because with everything pinned in place, it limits your movement. Rather than bringing the work to you, you have to accommodate it. Try not to pull at the motifs, instead, turn the workspace 180 degrees, one row will feel natural and the next… awkward.  Later on, maybe on the next project, you can experiment with doing a cluster stitch, picot trellis, bullion stitch or clones knot.

Traditional Net Shown in Yarn

Traditional Irish Net Shown in Yarn

If you’d like to learn traditional netting, practice as follows:

Note: When filling, the net is usually done in a smaller thread size than the motifs, but when you’re learning for the first time and practicing something new, use whatever thread and hook size you’re comfortable with and don’t worry about your edges, just focus on the pattern of the stitch; that is what’s important. Remember that when you’re making the net, you already have a border pinned down so your edges join to that framework. Use either a standard picot or clones knot:

_MG_2369Traditional Irish Trellis with Two Picots:
1st Row: ch 58 (a multiple of 7 + 2)
2nd Row: sc in the 2nd ch from hook, *ch 2, picot (ch 4, sc in 4th ch from hook) [or clones knot: ch 5, yarn over-pivot hook 360 degrees-yarn under to catch one loop until you reach 7-14 loops on hook, yo, pull through all loops, ch 1 to secure, sl st or sc in ch], ch 3, picot, ch 2, sk 6, sc in the 7th ch, *repeat to end. Turn.
Note how wide the stitch is: 7 chains (2, 3, and 2) with two picots; that is why smaller thread is used.
3rd Row: ch 2, picot, ch 3, picot, ch 2, sc in 2nd ch of prev 3 chs betw picots, *repeat to end. Turn.
Note: For this practice tutorial, there should always be eight (8) full trellis per row. The edges are not straight-straight, but rather triangular with the outer picots aligning to form a “straight edge.” These picots are where you would join to the border.
4th Row, etc. Repeat Row 3.

7. Sans BorderBasic Trellis with Single Picot:
1st Row: ch 26 (a multiple of 5 + 1)
2nd Row: sc in 2nd ch from hook *ch 5, sk 4 ch, sc in next ch *repeat across. Turn.
3rd Row: *ch 5, in 3rd ch of next ch 5 work sc-ch3-sc *repeat across. Turn.
4th Row: ch 1, sc in same *ch 5, sk picot, picot in 3rd ch of next ch 5 *repeat across. Turn.
To keep the edges straight, at end: ch 2, dc in the sc of last row’s 1st st.
After a dc ending: ch 2, picot in 3rd ch and continue pattern with ch 5, sk picot, picot in 3rd ch of next, etc.

Basic Trellis (no picot):
As Irish Net: Join to 3rd ch side border (from bottom), *ch 5, sk 3 chs (on bottom), sc in next, skip to 2nd row instruction. At row’s end, join to opposite side with a ch 2, dc then ch up and repeat before changing direction for next row.
1st Row: ch 27 (a multiple of 4 + 3)
2nd Row: sc in 6th ch from hook, *ch 5, sk 3 ch, sc in next *repeat across. Turn.
3rd Row: *ch 5, sc in next ch 5 sp *repeat across. Turn
4th Row, etc: Repeat row 3

Miroslava Gorokhovich

Miroslava Gorokhovich

Fill-in Net:
Various forms of netting can be employed including patterned stitches and filet. Another option is to make fill-in pieces of net, especially if you have large open spaces. Similar to motifs, fill-in pieces are worked first and pinned or sewn on cambric. Additional netting joins these little islands together. The technique gives the finished mesh a mosaic look and transfers time spent making the background with everything pinned down because it’s easier to crochet when the piece is free and you can hold it in your hand.

To start a fill-in: ch 5, sl st in 5th ch from hook to form ring, ch 3 (counts as dc), *ch 4, dc in ring, *repeat for 5 or 6 petal loops, join to 3rd ch of 1st dc, ch 3, and continue. As you tier up and outward, the ch 4 remains, but the spacing between dc decreases. You might do one round in the loops and in prev row’s dc, or put two dc in one loop. You can also quit the round direction, turn (with a ch3, ch 4) and work the reverse. The idea is to create a fill-in of fairly consistent size spacing, but less symmetry than a motif.

Sew on NetSew-on-Net:
For the purposes herein, we won’t call this cheating. It’s actually another form of crochet from the French Guipure et a la croix or fil pour dentelles; which in modern crochet terms translates to: motifs sewn on filet. In the Guipure technique, no pad is used. The filet is made first then shaped and ironed in preparation for motifs, which are _MG_2502arranged atop the net and sewn to the surface. While this is not Irish Crochet in the traditional sense, the results are beautiful and symmetric. Any open-work net can be used; like a six-sided polygon: From starting ch, sk 8, dc in 9th ch, *ch 5, sk 4, dc in next ch, *repeat across ending with a dc in last ch, ch 3 turn (counts as dc), ch 5, dc in 3rd ch of 5-ch sp.

4Connecting Bars:
Whether it’s Irish Crochet, French Guipure, Point Lace or Maltese Crochet Art everything traces its roots to Venetian Lace. This is where the oldest, earliest examples of decorated net are found. The Venetian technique uses connecting bars as fill or net. It is typically done with a needle rather than a hook, especially Sorrento bars. However, connection bars can be created with a crochet hook in the last round of the motif at the location where join is desired: ch 4, sc in 2nd ch from hook and in next, sl st in motif. Joins are made at the tip’s end: ch 3, insert hook in joining bar, sc, ch 1, sc in 2nd ch from hook and in next, sl st in motif. The Venetian technique does not require a pad, but it’s imperative to have a pattern drawing aforehand in order to gauge the placement of connecting bars.

net as you goNet as you go:
Lastly, in some petal flower patterns, the net can be made as the motifs are created. In this technique, two or three of the petals are made in one row with the remainder created in the next. Since Irish Crochet is usually done with a variety of motifs, this method works best for edgings where uniformity is desired.

10. As you make the net use pins to secure it in place. Finish the entire netted background in one sitting… just kidding. It will take a while. The netting is a sort of free-form technique that takes a little forethought as you go. For example, if you need to turn or come back, you might put 2 stitches in the same open mesh and then work down the side of it. And don’t worry, even the most mathematical mind will work themselves into a dead end. When this happens, tie off and create a new sl st or, since we’re working from the back side, sl st over the motif to get to the other side. Either method works, provided the motifs are facing down.

11. Once the entire background is made, pull out the pins and/or basting thread and lift the piece off as one garment. Weave in tails.

12. Do a row of sc around the border and/or add padding or a decorative trim.

13. Block and iron. Blocking boards with lined grids are great for squares and rectangular pieces. When blocking, I use a “gumming” technique rather than full-on washing (submerging) because, it’s new, unsoiled. To gum, I wet a wash cloth and sponge that on the garment or use a spray bottle to lightly mist, then shape and iron. When ironing, I set the temperature to cotton with steam and gently press the back side or put a linen cloth over the front and iron/press. I don’t always starch, but it’s fine to do so. Once the piece is moist and pressed, pin on blocking board or Styrofoam to dry. The idea is to have the piece dried in the proper shape and wetting/ironing enables you to shape it.

Note: Historically dry Arabic Gum was used, hence the word “gumming.” I think the mixture was something like 2 tsp of powder to 1 pint of boiling water to create a starch that would leave the piece crisp while variations of the mix (less water) would harden it to a plaster-like crocheted tree ornament. Today Arabic Gum is seen in diet supplements and glue or gelatin. For obvious reason, it’s fallen out of use as a starch.

_MG_231614. Leave color as is or dye it. If dying, follow the directions on the manufacturer’s instructions. I’ve used RIT brand with some success; it was gray dye on ecru cotton thread and the color came out light gray, almost dusty blue. I prefer powder to liquid and like to combine colors for various results. There are recipes on the Rit website.

If you want multiple colors, see my post on watercolor crochet using fabric dye: http://crochetthread.wordpress.com/2013/05/19/rit-fabric-dye-crochet-watercolor/

Resources
There are a few resources that I recommend:

1) The Antique Pattern Library.
Best FREE online resource

2) Best FREE Video Tutorials: http://www.youtube.com/user/Sheruknittingcom/videos

3) YouTube Channel titled Lace from Ireland.

4) YouTube Channel titled Ira Rott

5) A world-wide collaboration of Irish Crochet. http://irishcrochettogether.blogspot.com/2013/02/a-true-collaboration.html

Japanese Irish Crochet

Irish Crochet by Yhteinen Ystava
ISBN 978-4-529-04710-4.

I had to throw this one in because anyone who knows me isn’t surprised that: I bought a Japanese book to learn Irish crochet. I only wish I’d discovered it sooner! The scarf on the cover is gorgeous, but there are a lot of motifs and purse patterns. Though the book is written in Japanese, a language I do not speak, patterns follow a universal language. ;-)

duplet_special_xxl_release_irish_laces_-_9_russian_crochet_135521e4The Russians have forever changed the face of Irish Crochet; all that wonderful color and texture. Designers like Miroslava Gorokhovich and Antonina Bobrova have renewed interest in Irish lace the world over. In the same way that Ireland made the French guipure their own by creating shamrocks and thistles, so too, have the Russians made many motifs reflect their culture.

_MG_2308These are some of Bette Davis’ costumes in Death on the Nile, fine examples of Irish Crochet:
_MG_2311

Filet Mesh in Irish Crochet

Filet Mesh in Irish Crochet

_MG_1410

13 thoughts on “Irish Crochet Tutorial for Beginners

  1. Thank you for the explanation of the netting! I always screw that up. I can make motifs and clones knots till I’m blue in the face then I screw up the netting. This I’m sure will help. :)

  2. Hi! I’m so glad I’ve found your page! I love crocheting and have just decided to branch out and try Irish Crochet, but I’ve been having a terrible time trying to find a bit of easy to understand info for Irish crochet novices!!Thanks ;)

  3. Thanks for tutorial any chance of a video tutorial as there don’t seem to be much info on Irish crochet and some of the links that I have found have expired.

    Great site

    • Chris, I wish I could, but right now I don’t have a video camera that works well in focusing on the stitch detail. If I get a camera with better zoom, I definitely will.

      Peggy, Thank you. I hope you do try it. It’s really not as hard as it looks.

  4. Anne you are a wonder! My grandmother taught me knitting and crochet and I learned Irish crochet from old books she and her friends had (including Godey’s Ladies Books). Taught Master Crochet classes at conventions, but I can’t find my instructions, which were not as good as yours. I am so impressed with your work… wish we could meet (I am 89 yrs old… so have been working a long time)

    • Peggy, Thank you so much. It warms my heart to hear such positive feedback. I learned to crochet when I was 12. My great grandmother knitted, crocheted and tatted. I taught myself the Irish technique armed only with vintage books from the Antique Pattern Library. It was very confusing. That is why I created the beginner’s tutorial, in hope that I might make someone else’s experience easier than my own. I am so glad you enjoyed it. I live in Southern California; don’t know if that’s in close proximity but I wish you good health and happiness always. – Ann

  5. This is a wonderful learning tool. I cannot wait to practice this. From what I’ve seen so far, I would design my pattern. Is that correct? Thank you for sharing this. I was searching for this, and a new friend passed this on to me. I cannot find the words to thank all of you enough! Claire

    • Always best to start with the end in mind. Balancing the motifs of the pattern is key. I usually make 4 of each motif, sometimes more. Unless it’s a collar than 2 is sufficient. Good luck!

  6. What a fantastically detailed post on Irish crochet (which I’ve never heard about before). I have a few other things on the go at the moment, but I would love to give some of your suggestions a try when I have a bit more time! :)

    • Thank you so much. I remember when I first saw Irish Crochet and immediately thought it was beyond my expertise, but I was intrigued and wanted to know how it was made. I’m so glad I made that journey of discovery. It’s kinda like being handed-down a piece of history. I do hope you’ll give it a try. Cheers, Ann

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